Anthologies: The Year's Best Fantasy and Horror: Seventh Annual Collection (1994), Year's Best Fantasy 2 (2002), Year's Best Fantasy 3 (2003), The Way of the Wizard (2010)
A Wizard of Earthsea (1968)
Strangely enough, as much fantasy as I read, I'd never gotten around to reading Ursula K. Le Guin's Earthsea Trilogy. I've had the books for a couple of years, but for one reason or another, never got around to reading them. It's a short book, my copy has only 183 pages (same for the reprint I just looked up), so I kept putting off reading it until a time when I needed a short book to read. Well, that time seems to be now.
The first book in the trilogy, A Wizard of Earthsea, tells the story of Ged, known as sparrowhawk, the greatest sorcerer of Earthsea. His youth and education through his young adulthood, as he took his first job as a wizard.
I was surprised by how much I enjoyed this book. I suppose that I was fearing it was going to be one of those "classics" that I read because it's supposed to be great, but I just don't get it. (Like The Last Unicorn.) But no, I really enjoyed A Wizard of Earthsea.
I liked the writing, I liked the story, and I liked the characters. (And I also liked that it was a short book.) I found Sparrowhawk and Vetch to be very interesting, and I liked the way that Sparrowhawk matured. I'm typically not fond of books with bratty teenage characters, but I found Sparrowhawk interesting, and I found his immaturity and faults to be understandable, rather than annoying.
I also enjoyed the fact that I had no idea where the story was going. It's not often that a story completely surprises me, but as I read, I kept thinking, "I didn't expect that!" which was fun.
As far as covers, I like the original cover, and I like the cover on my copy (Bantam's 19th printing), but the current covers? Ew. Why change a very lovely cover for something boring? (The binding on my copy, however, leaves something to be desired.)
I've already started The Tombs of Atuan, and have hopes that it will be as good as A Wizard of Earthsea. Even if it is a second book in a trilogy. If, like me, you've put off reading the Earthsea Trilogy, do so no longer. It's an interesting, well-written story. Enjoy!
The Tombs of Atuan (1970)
The second book in the Earthsea Trilogy, The Tombs of Atuan tells the story of Tenar, who becomes Arha, the Eaten One, and High Priestess of the Nameless Ones. Tenar is taken from her home at the age of five becuase she is the reincarnation of Arha. The tombs beneath the city are her realm and her responsibility.
What I found most interesting was the description of how Tenar was taken from her home to enter the temple, and how she spent her childhood in the temple, privileged more than the other girls, yet more isolated.
Like A Wizard of Earthsea, this is a short book--under 200 pages. But also like A Wizard of Earthsea, it's a good book, with well done characters, writing, and above all, storytelling. (Hint to all those fantasy writers who write doorstops: short is good too!)
For whatever reason, I didn't seem to care as much about Tenar as I had Ged. I was interested in what was happening to her, but didn't care quite as much. I'm not sure whether that is due to the way the character was written, or something else. I also was also somewhat confused by her change in attitude towards the end. I can understand her confusion, but I'm not certain why she took the actions she took.
Small complaint about the cover (the newer cover, as well as the cover on my book.) I hate it when they put scenes towards the end of the book on the cover. I'd just as soon not know these things, thank you.
This is a good sequel to A Wizard of Earthsea. Like a lot of second books, it didn't seem to be as strong as the first book, but was still very good, and quite enjoyable.
The Farthest Shore (1972)
This time, Ged appears at the start of the book, as he receives Prince Arren, sent by his father to warn of magic disappearing from the world.
Like the previous two books, there is much to consider about the nature of evil.
"But you knew them to be evil men--"
"Was I to join them therefore? To let their acts rule my own? I will not make life choices for them, nor will I let them make mine for me!"
I very much like her take on "evil" and how it affects individuals and the world. If I understand her point, there is no such thing as an evil being, only men who take evil actions. And with this I agree. I think that anyone can be redeemed, no matter how much we may not want to see it or believe it. But redemption is not an easy thing, and not everyone can manage it.
As far as the book goes, I didn't enjoy it as much as the previous two. Although like the previous two books, it was short (my copy is only 197 pages), for some reason parts seemed to drag on for me. Like, I kept wondering why she just couldn't say, "Their journey was long, and difficult," instead of pages and pages of describing their difficult journey.
Maybe I was just being particularly impatient, and reading this on another day I wouldn't mind so much, but I just wanted them to get wherever they were going.
But other than the journey that seemed to last forever, the story was good. I particularly liked the way she wrote how the Arran felt and dealt with the influence of the miasma that was such a problem. Although my first thought was, "what on earth is WRONG with him?" she did a good job with the subtle changes in perspective and feeling that he was dealing with.
So, not my favorite book in the series, but a decent enough conclusion.
The Poacher by Ursula K. Le Guin
England Underway by Terry Bisson
The Woman in the Painting by Lisa Goldstein
The Daemon Street Ghost-Trap by Terry Dowling
Memo for Freud by Daína Chaviano; trans. by Heather Rosario-Sievert
The Sunday-Go-To-Meeting Jaw by Nancy A. Collins
Breath by Adam Corbin Fusco
Knives by Jane Yolen
Mrs. Jones by Carol Emshwiller
Snow Man by John Coyne
One Night, or Scheherazade's Bare Minimum by Thomas M. Disch
Dead Man's Shoes by Charles de Lint
The Lodger by Fred Chappell
The Erl-King by Elizabeth Hand
The Chrysanthemum Spirit by Osamu Dazai; trans. by Ralph F. McCarthy
Angel by Mary Ellis
The Taking of Mr. Bill by Graham Masterton
The Saint by Gabriel García Márquez; trans. by Edith Grossman
Cottage by Bruce McAllister
Doodles by Steve Rasnic Tem
Dying in Bangkok by Dan Simmons
Prisoners of the Royal Weather by Bruce Boston
The Snow Queen by Patricia A. McKillip
Troll Bridge by Neil Gaiman
The Storyteller by Rafik Schami
Rice and Milk by Rosario Ferr‚
Ridi Bobo by Robert Devereaux
Playing with Fire by Ellen Kushner
Later by Michael Marshall Smith
Distances by Sherman Alexie
Crash Cart by Nancy Holder
Some Strange Desire by Ian McDonald
The Dog Park by Dennis Etchison
Wooden Druthers by E. R. Stewart
Inscription by Jane Yolen
In Camera by Robert Westall
The Wealth of Kingdoms (An Inflationary Tale) by Daniel Hood
The Crucian Pit by Nicholas Royle
The Ecology of Reptiles by John Coyne
The Last Crossing by Thomas Tessier
Small Adjustments by Caila Rossi
Precious by Roberta Lannes
Susan by Harlan Ellison
Freud at Thirty Paces by Sara Paretsky
If Angels Ate Apples by Geoffrey A. Landis
Exogamy by John Crowley
The Princess Who Kicked Butt by Will Shetterly
The Apprentice by Miriam Grace Monfredo
Alvyta (A Lithuanian Fairy Tale) by O. V. de L. Milosz; trans. by Edouard Roditi
The Pig Man by Augustine Bruins Funnell
Tattoo by A. R. Morlan
Lady of the Skulls by Patricia A. McKillip
To Scale by Nancy Kress
Roar at the Heart of the World by Danith McPherson
Published by St Martins Press
“The Finder” by Ursula K LeGuin
“Senator Bilbo” by Andy Duncan
“Big City Littles” by Charles de Lint
“What the Tyger Told Her” by Kage Baker
“In the Shadow of Her Winds” by Ashok Banker
“The Heart of the Hill” by Marion Zimmer Bradley & Diana L. Paxson
“Queen” by Gene Wolfe
“The Black Heart” by Patrick O’ Leary
“On the Wall” by Jo Walton
“Hell is the Absence of God” by Ted Chiang
“The Man Who Stole the Moon” by Tanith Lee
“Firebird by R. Garcia Robertson
“My Case for Retributive Action” by Thomas Ligotti
“The Shadow” by Thomas M. Disch
“Stitchery” by Devon Monk
“To Others We Know Not Of” by Kate Riedel
“The Lady of the Winds” by Poul Anderson
“His Own Back Yard” by James P. Blaylock
“A Place to Begin” by Richard Parks
“Nucleon” by David D. Levine
“My Stolen Sabre” by Uncle River
“Apologue” by James Morrow
Published by Harper Voyager
Year's Best Fantasy 3 (2003)
“Her Father’s Eyes” by Kage Baker
“Want’s Master” by Patricia Bowne
“October in the Chair” by Neil Gaiman
“Greaves, This Is Serious” by William Mingin
“Shift” by Nolo Hopkinson
“A Book, by Its Cover” by P.D. Cacek
“Somewhere in My Mind There Is a Painting Box” by Charles de Lint
“The Pyramid of Amirah” by James Patrick Kelly
“Our Friend Electricity” by Ron Wolfe
“Social Dreaming of the Frin” by Ursula K. LeGuin
“Five British Dinosaurs” by Michael Swanwick
“The Green Word” by Jeffery Ford
“The Comedian” by Stephan Chapman
“The Pagodas of Ciboure” by M. Shayne Bell
“From the Cradle” by Gene Wolfe
“Sam” by Donald Barr
“Persian Eyes” by Tanith Lee
“Travel Agency” by Ellen Klages
“A Fable of Savior and Reptile” by Steven Popkes
“Comrade Grandmother” by Naomi Kritzer
“Familiar” by China Mieville
“Honeydark” by Liz Williams
“A Prayer for Captain La Hire” by Patrice E. Sarath
“Origin of the Species” by James Van Pelt
“Tread Softly” by Brian Stableford
“How It Ended” by Darrell Schweitzer
“Cecil Rhodes in Hell” by Michael Swanwick
“Hide and Seek” by Nicholas Royle
“Death in Love” by R. Garcia y Robertson
Published by Harper Voyager
I love anthologies. They give me an escape in bite size pieces that won’t keep me up past my bed time on a work night, and they also often a wonderful introduction to authors I have not read previously.
This anthology focuses upon wizards of all sorts, doing wizardly things, though not very many evil wizards.
The Word of Unbinding by Ursula K. Le Guin was another interesting albeit terribly depressing story.
There were multiple stories I didn’t care for, but on the whole, I found it a good and enjoyable collection. After all, I don’t have to read the stories I don’t like.
Published by Prime Books