Anthologies: The Green Man : Tales from the Mythic Forest (2002), Firebirds (2003), The Faery Reel: Tales from the Twilight Realm (2004), Firebirds Rising (2006), Teeth: Vampire Tales (2011), Magic City: Recent Spells (2014)
War for the Oaks (1987)
Boy was I wrong.
And I shouldn't have been, because I liked Freedom & Necessity, which she co-wrote with Steven Brust, and I've liked all her short stories I've come across in various anthologies. But I never picked War for the Oaks. (Okay, there's also the fact that I've never come across it used. I'm much more likely to pick up books when I'm uncertain about the cover, if I can find the book used.)
In tone, War for the Oaks reminds me of a cross between Charles de Lint --there's a magical world that's just out of reach for most of us, and the people most likely to slip over to that world are musicians and artists. That's what happens to Eddi McCandry. Faerie needs a mortal for their wars, and the phouka has selected her for the task. All he has to do is make Eddi come to terms with the idea.
What I love best about this book is the characters. Especially the phouka. Although I can see that he might be annoying as all getout, I think he would also be a lot of fun in person.
I also loved the fact that it was set in the mid 80s, so I got all kinds of musical references to 80s music PLUS lots of mention of Prince. (Yes, I was a huge Prince fan in the 80s and early 90s.)
There were two things that I didn't like as well. The first few chapters struck me as overwritten, however, once the book got going, that feeling disappeared, and I was sucked in, especially to the dialog. The other thing that bothered me, was that Stuart seemed to get off scott-free. Of course he might have been dealt with by the Unseelie Court, but I had a hard time believing that Eddi was just willing to let things go so easily.
But those were two small details in an otherwise fantastic story. The writing was good, I loved the characters, I loved the dialog, and I was pulled into the story by the second chapter, and didn't want to put the book down if I didn't have to.
If you like Charles de Lint, or Neil Gaiman's American Gods or Anansi Boys, then I think that you'll really enjoy Emma Bull's War for the Oaks.
Delving back into Brust section of my bookshelves, I came back with Freedom and Necessity, a book that I remember as complicated, although good. And since I remembered nothing of the plot, I figured it was a good candidate for re-reading.
I have to admit that as much as I like this novel, reading it makes me feel stupid.
There are tons of historical, political, and philosophical references that, if I were better educated, I am sure would have made the reading even deeper. Unfortunately, my political and philosophical education is sorely lacking, and my knowledge of history is spotty--some times and subjects I'm fairly familiar with, while my others I don't have a clue.
The story, set in late 1849 is written as a compilation of letters, journal entries, and newspaper articles. It's a style that takes some getting used to, but gives a strange sense of authenticity. Though as a regular letter writer, I have to wonder how the characters found the time to write everything down in the detail they did!
Interestingly, the book leads me to wonder about the line between fantasy and other types of fiction, in that there is very little "traditional fantasy" to be found. I have not read any other books by Emma Bull, but the style of this book is strikingly different from other books by Steven Brust I have read. Not to say that he has a specific style--anyone who has read the Khaavren books and the Vlad Taltos books should know better--but there is little familiar in this book to his other books.
This is, as I said, a very good book, but it is not the first Steven Brust book I would recommend to someone--it's too different from his other books for someone to judge whether they liked his style or not. But I do recommend it. Though if you're like me, it may create a desire to learn more about history, philosophy, and political science.
Matilda is a widow living in Tombstone and working as a typesetter for the paper. Jessie Fox is a horse trainer who ends up in Tombstone after someone tries to steal his horse. In Tombstone Wyatt Earp is consolidating power, including keeping Doc Holliday in town.
In Territory we see Tombstone before the events that have been immortalized in multiple movies. We see the town through the eyes of three people: Matilda, Jessie, and Doc Holliday, and we see an alternate, magical view of the events leading up to the events at the OK Corral.
First things first, I have to admit to a fondness for Doc Holliday, developed after watching Val Kilmer play Doc in the movie Tombstone. I occasionally even heard Val Kilmer’s drawl as I read Doc Holliday’s lines, which is highly unusual for me. So part of the story being told from the POV of Doc Holliday drew me in relatively quickly.
I liked Matilda right from the start–a window trying to survive in a town like Tombstone could conceivably end up working as a typesetter. Same with Jessie, although for the first chapter I wasn’t quite sure.
Now just to make it clear up front, there is magic in this book. Jessie has magic, as do several other characters. If you have difficulty seeing historical characters using or admitting to the existence of magic, this is not the book for you.
But if you enjoy historical fantasies, then I highly recommend Territory. I’m not sure she always gets the drawl right, but to me that didn’t matter, as her story telling quickly drew me into the tale.
Going Wodwo (poem) - Neil Gaiman
Grand Central Park - Delia Sherman
Daphne - Michael Cadnum
Somewhere in My Mind There is a Painting Box - Charles de Lint
Among the Leaves So Green - Tanith Lee
Song of the Cailleach Bheur (poem) - Jane Yolen
Hunter's Moon - Patricia A. McKillip
Charlie's Away - Midori Snyder
A World Painted by Birds - Katherine Vaz
Grounded - Nina Kiriki Hoffman
Overlooking - Carol Emshwiller
Fie, Fi, Fo, Fum - Gregory Maguire
Joshua Tree - Emma Bull
Ali anugne o chash (the boy who was) - Carolyn Dunn
Remnants - Kathe Koja
The Pagodas of Ciboure - M. Shayne Bell
The Green Man (poem) - Bill Lewis
The Green Word - Jeffrey Ford
Published by Viking
Cotillion - Delia Sherman
The Baby In The Night Deposit Box - Megan Whalen Turner
Beauty - Sherwood Smith
Mariposa - Nancy Springer
Max Mondrosch - Lloyd Alexander
The Fall Of Ys - Meredith Ann Pierce
Medusa - Michael Cadnum
The Black Fox - Emma Bull ; Illustrations By Charles Vess
Byndley - Patricia A. Mckillip
The Lady Of The Ice Garden - Kara Dalkey
Hope Chest - Garth Nix
Chasing The Wind - Elizabeth E. Wein
Little Dot - Diana Wynne Jones
Remember Me - Nancy Farmer
Flotsam - Nina Kiriki Hoffman
The Flying Woman - Laurel Winter
Published by Firebird
Any time I see a fantasy anthology edited by Ellen Datlow and Terri Windling, I’ll often as not pick it up, because I know that it’s going to be good. Usually very good. This volume however, has the added bonus of poems by both Charles de Lint and Neil Gaiman.
Needless to say I snatched it up--even thought it was in hardback--when I came across it.
These faery tales are based not upon the fairies of Disney but upon the faery of folktales. As they say in the introduction:
In this book about our good neighbors, we've asked a number of our favorite writers to travel into the Twilight Realm (an ancient name for the land of Faerie) and to bring back stories of faeries and the hapless mortals who cross their path. "No butterfly-winged sprites," we pleaded. "Read the old folktales, journey farther afield, find some of the less explored paths through the Realm.
It would be hard for me not to love this book.
The Boys of Goose Hill - Charles de Lint
Catnyp - Delia Sherman
Elvenbrood - Tanith Lee
Your Garnet Eyes - Katherine Vaz
Tengu Mountain - Gregory Frost
THe Faery Handbag - Kelly Link
The Price of Glamour - Steve Berman
The Night Market - Holly Black
Never Never - Bruce Glassco
SCreaming for Aferies - Ellen Steiber
Immersed in Matter - Nina Kiriki Hoffman
Undine - Patricia A. McKillip
The Oakthing - Gregory Maguire
Foxwife - Hiromi Goto
The Dream Eaters - A. W. Dellamonico
The Faery Reel - Neil Gaiman
The Shooter at the Heartrock Waterhole - Bill Congreve
The Annals of Eelin-OK - Jeffrey Ford
De La Tierra - Emma Bull
How to Find Faery - Nan Fry
And I wasn't let down. Tengu Mountain by Gregory Frost was perfect. It reminded me of any number of Japanese folktales without actually being any one of them.
Catnyp by Delia Sherman I quite liked; it reminded me a bit of a Charles de Lint story. In Catnyp, Faerie exists parallel to our world, and includes a New York Public Library that reminds me a bit of Terry Pratchett's library, only without the L-Space.
The Price of Glamour by Steve Berman was the type of tale I like best--not set in this time, and not really set in this reality. I don't have anything against fantasy set in our time and our reality (I do love Charles de Lint after all!) It's just that for me tales set in other realities are more of an escape. And often I really want to escape from this reality.
Bruce Glassco's Never Never is fantastic. I'd never thought about how Hook felt about the part he had to play in Never Never land before, and why he was so bitter about it.
One of my favorite stories was The Dream Eaters by A.M. Dellamonica. Part faerie tale, part hard boiled detective tale, it combines my favorite types of stories. I was, however, a little confused by her faerie and how time ran there.
All in all an excellent anthology. But I hardly expected anything less.
Published by Viking
Huntress by Tamora Pierce
Unwrapping by Nina Kiriki Hoffman
The Real Thing by Alison Goodman
Little (Grrl) Lost by Charles de Lint
I’ll Give you My Word by Diana Wynn Jones
In the House of the Seven Librarians by Ellen Klages
Wintermoon Wish by Sharon Shinn
The Wizards of Perfil by Kelly Link
Jack O’Lantern by Patrician A. McKillip
Quill by Carol Emshwiller
Blood Roses by Francesca Lia Block
Hives by Kara Dalkey
Perception by Alan Dean Foster
The House on the Planet by Tanith Lee
Cousins by Pamela Dean
What Used to be Good Still Is by Emma Bull
This is a collection of fantasy, urban fantasy (minus the boinking) and science fiction. Interestingly, I didn’t mind most of the science fiction too much, though they weren’t my favorite stories in the collection.
Published by Firebird
Rice, not garlic, was the most effective means of keeping Chinese vampires at bay, for they had a strange compulsion to count. Throwing rice at the ghost compelled it to stop; it would not move again until each grain was counted.
“My Generation” by Emma Bull is another poem.
As expected, this was a very good anthology, and although I didn’t like the horror or the poetry, that’s a failing of mine, not the anthology.
Published by Harper Collins
Magic City: Recent Spells (2014) edited by Paula Guran
Table of Contents
“Street Wizard” by Simon R. Green
“Paranormal Romance” by Christopher Barzak
“Grand Central Park” by Delia Sherman
“Spellcaster 2.0” by Jonathan Maberry
“Wallamelon” by Nisi Shawl
“-30-” by Caitlín R. Kiernan
“Seeing Eye” by Patricia Briggs
“Stone Man” by Nancy Kress
“In the Stacks” by Scott Lynch
“A Voice Like a Hole” by Catherynne M. Valente
“The Arcane Art of Misdirection” by Carrie Vaughn
“Thief of Precious Things” by A.C. Wise
“The Land of Heart’s Desire” by Holly Black
“Snake Charmer” by Amanda Downum
“The Slaughtered Lamb” by Elizabeth Bear
“The Woman Who Walked with Dogs” by Mary Rosenblum
“Words” by Angela Slatter
“Dog Boys” by Charles de Lint
“Alchemy” by Lucy Sussex
“Curses” by Jim Butcher
“De la Tierra” by Emma Bull
“Stray Magic” by Diana Peterfreund
“Kabu Kabu” by Nnedi Okorafor
“Pearlywhite” by Mark Laidlaw & John Shirley
“De la Tierra” by Emma Bull is an odd story, about a magical assassin. Except he’s not an assassin by his own choice.
I quite liked it.
All in all this is a marvelous collection, that I highly recommend.
Published by Prime Books