Charles de Lint
As far as I am concerned, Charles de Lint is the master of urban fantasy; he combines modern cityscapes with elements of folk and fairy tales. His novels and short story anthologies are set in Newford, which may or may not be Canada. The characters do recur from book to book, and you can start at any point, but there is some character development from book to book, so it may be more satisfying to read from the older books to the news ones.
Wolf Moon (1988)
Wolf Moon is one of Charles de Lint's earlier books. It's quite short--only 245 pages. In tone, it reminds me very much of The Harp of the Grey Rose. A fantasy world that similar to, but not quite the same as, ours.
Kern is a werewolf. Accepted by neither humans or wolves, and afraid of being slain by any humans who discover what he is, he has come to accept his fate, until he is hunted by a magical harper, and nearly slain by the harper's mythical beast.
Oddly enough, it is neither Kern not Ainsey I like the best by the end of the tale, but Fion. When she acts, she does so out of loyalty and love. Self-preservation seems to take second place to helping those she loves. And considering that she initially comes across as someone self-absorbed and interested only in pleasure, this discovery of her depths was all the more enjoyable.
But I have to admit that as much as I love Charles de Lint's urban fantasy, I may like his traditional fantasy, but I simply do not find it anywhere near as compelling. The characters don't seem quite as real as the inhabitants of Newford, although I couldn't possibly tell you why this is so.
If you like Charles de Lint, then you will almost certainly want to read Wolf Moon, especially if you liked The Harp and of Grey Rose. If you have not read any of Charles de Lints books before, I would recommend that you start somewhere else, because although I enjoyed this story, I didn't find it anywhere near as good as his other works, especially his short story collections. It may also be that I have very high expectations for Charles de Lint's writing, and although this is a good story, I don't think it is anywhere close to as good as any of his Newford books and collections.
Rating: 6/10
The Dreaming Place (1990)
This is a very short book--only 138 pages,( in my version--I picked it up used at the Bookshelf, but it has apparently been re-released). It's interesting.
The protagonists are high school girls, and the peripheral characters are his typical assortment of people with whom most of us don't normally associate i.e. street people and shaman (is that plural and singular) and mystics, which is okay, because I don't want to read books about the people with whom I normally associate. That's be fiction, not fantasy (and probably painfully boring at that.)
I like what he did with his characters, and I loved the story, although I wonder if this might have been better had it been a long story in a collection instead of a short book. (I realize there is barely a difference there, but this book (earlier than other books and collections I have) seemed somehow a little different from his other stories I have read, though I don't think I can place my finger on it.
So I think in sum this is a good book, and if you are a fan of Charles de Lint this should be added to your collection, but if you are looking for a first book by him, I'm not sure this is it.
The Little Country (1991)
While musing over a broken relationship that may lead to a broken tour of American, Janey searches the attic and finds a book by her favorite author--an author who was good friends with her grandfather--and discovers there was only a single copy of the book printed, and that her grandfather was requested to hide the book and keep it safe. From there we read not only Janey's story, but the story in the book she has discovered in her grandfather's attic.
Yesterday I must have picked up half a dozen book, read the first couple of paragraphs, and then put them back down with the thought, "this isn't what I'm in the mood for."
So I picked up The Little Country, because it was by Charles de Lint, so how could I go wrong?
Unfortunately, after reading the last page, I put the book down thinking, "well, that wasn't what I was in the mood for either."
I just could not get into this book. Probably the best way to describe it is that it was just entirely too long.
One problem was that point of view skipped around too much--and by this I don't mean between the two stories. I liked the idea of a book within a book. But in the "main" story, the point of view kept shifting from Janey to everyone around her, be they good guys or bad guys or not so sure where they stand guys. So I never felt like I developed a relationship with the characters, either through their own thoughts and feelings, or through how Janey felt about them.
Another thing is that there was just entirely too much detail that simply struck me as unimportant. Like I said, the book just felt like it went on far longer than it needed to, and I might have liked it better had it been far shorter.
In general, the whole thing just felt off to me.
So, if you have not read Charles de Lint before, I do not recommend starting here. There are plenty of other excellent books and short story collections available--leave this one for after you've read everything else.
Rating: 5/10
Dreams Underfoot (1993)
I believe that Dreams Underfoot is the first Charles de Lint book I bought. I may have read one of his stories somewhere, perhaps in a "Year's Best in Fantasy and Horror." (Now that I look, I may have first read "The Moon Is Drowning as I Sleep" in Snow White, Blood Red, and from there been sucked in.) Or I may have just seen the cover and snatched up the book.
I have to say that I love the original cover, with the art by Terri Windling. The white haired woman with horns and a wooden flute sprouting leaves. The cityscape in the background. For me, it is just completely evocative of Charles de Lint's writing. Not that there's anything wrong with the new cover, but it's just so much more sparse and barren.
Here. Look.
Isn't that lovely?
But this isn't suppose to be about the covers, this is supposed to be about the writing, about the book that got me started reading Charles de Lint, now one of my top five favorite authors.
Dreams Underfoot is a short story collection, and almost all the stories are set in Newford, the mythical northern town, where the seams of the world between the mundane and the magical are thinner than they are elsewhere.
Dreams Underfoot is the introduction to many of the characters who populate Charles de Lint's later stories and books: Jilly Coppercorn, Sophie Etoile, Geordie and Christie Riddell, Meran and Cerin Kelledy, the Angel of Grasso street, Maisie and Tommy. These are characters you'll meet again, some of whom get their own books, some of whom drop from sight, appearing later only in passing.
The stories are urban fantasy, where the magical exists in our own time and place, alongside the reality we know, although the characters may deny their experiences.
Interestingly, these stories are always darker than I remember, although this collection may have a higher percentage of horror than other collections, as several stories, such as "The Sacred Fire" and "Pity the Monsters" are straight horror, while other stories have very darker elements and themes. But don't let that scare you away, because this is a wonderful collection, and an introduction to many characters that appear throughout Charles de Lint's work. And although I am not a fan of horror (I'm one of those strange people who doesn't like being scared), I do not find the horror particularly hard to read. It's not my favorite, but it's good.
And the darker stories may be horrifying in a different way, yet they are still excellent, not only in the way the develop the characters, but simply in their storytelling. Despite the upsetting nature of "In the House of My Enemy," it is still an excellent story, and one that I couldn't keep myself from rereading, despite knowing the darkness of the content.
But there are also plenty of stories that aren't dark. I particularly liked "Romano Drom", "The Moon is Drowning while I Sleep", and "Paperjack", although they are more upbeat than some of the other in this collection. (If you find the end of "Timeskip" depressing, you'll probably like "Paperjack".)
There is simply something about Charles de Lint's storytelling that I find irresistible. it never fails to amaze me, how he can weave an entire tale in so few words. He is the reason why I find so many short story collections disappointing, for he has set the bar to which all others must rise.
There are also stories here that have appeared in other collections, such as "Uncle Dobbin's Parrot Fair," which I believe may be slightly different here than it appeared elsewhere.
I am extremely curious, however, as to how much of Christie Riddell there is in Charles de Lint, and whether Christie's ideas about writing and short stories are Charles de Lint's, or if they are just part of that character.
If you love short stories, then any Charles de Lint collection is a must have, and Dreams Underfoot, with so many characters who recur in other stories, is a perfect introduction. However, as he is a master of writing short stories, you can start anywhere and be perfectly happy.
Rating: 8/10
The Wild Wood (1994)
Eithnie feels like she has lost something in her paintings, and is wandering the woods near her home searching for the soul that used fill her paintings.
Originally published in '94, Orb rereleased The Wild Wood in 2004. It's a very short book, just 205 pages with wide margins and so it only took me about two hours to read.
This is an okay book (it couldn't be bad--it is Charles de Lint after all) but it won't become one of my favorites. The parts that I like about his work are all there--the characters, the story, the otherworld--but for some reason it never really quite comes together for me. I never get drawn into the story the way I normally do with his writing. I was interested in what was happening, but I wasn't absorbed.
If you're a de Lint fan you'll want this book, but if you haven't read any of his previous books, I don't recommend this is a starting place. It's not his strongest work, and feels more like it belongs in one of his short story collections than as a novel. If you're looking to start reading Charles de Lint, I'd recommend Jack of Kinrowan or one of his short story collections like Dreams Underfoot or Moonlight and Vines.
Rating: 7/10
The Ivory and the Horn (1995)
The Ivory and the Horn is the second short story collection by Charles de Lint, and like Dreams Underfoot, is set in Newford, the mythical North American city, where mythical beings reside.
Reading these short stories makes me wish there there really was a Newford, so that I could move there. But if there was, and if I did, doing so would mean I was missing the point of his stories, which is to see the myth and beauty in the everyday world that surrounds us. But of course he puts it much more elegantly than that, like in this passage from "A Tempest in her Eyes."
"What bedevils you," he says, "is that you have misplaced the ability to see--to truly see behind the shadow, into the heart of the thing--and so you no longer think to look. And the more you do not look, the less you are able to see. Wait long enough and you'll wander the world as one blind."
I love mythology and folk tales, so how could I not but love Charles de Lint's stories. Yet what is so wonderful about his tales goes far deeper than his use of myth and folklore. He is also a wonderful storyteller, and that is how you'll get sucked into his stories, and how you'll keep reading his darker tales, even as you wince.
Like Dreams Underfoot, there are many dark stories in The Ivory and the Horn. In many of these stories, Charles de Lint addresses many of the ills and evils of society head on: child abuse, poverty, illness. Yet for all that these seem like subjects you don't want to read about, like stories that would depress you, the book is uplifting in a way that I cannot quite explain. Even as he talks about the true evils of our world, in stories like "The Forest Is Crying" and "Bird Bones and Wood Ash," the characters in those stories are inspiring. Though not too inspiring--they're not unreal paragons, but humans trying to do as best they can.
And then there is "The Wishing Well" which completely creeps me out--and not because of the rusalka. It's the way he so clearly describes and explains how someones life can unexpectedly spiral out of control that gives me chills.
But again, the stories aren't all dark. There's something about "Saxophone Joe and the Woman in Black" that amuses me, although it isn't a funny story. And I really like the stories about Sophie Etiole. There is also a story about Angel Grasso that's a mystery of sorts; there's something about the idea of taking a dead man's shoes so he can't haunt you that I find fascinating in a really eerie way.
I also very much liked "The Bone Woman," although one reads it hoping to find that Geordie will soon get over the loss of Sam. Some of Charles de Lint's characters you know are just going to be alone. Jilly is one. You want her to find someone nice, but you just don't see it happening. Geordie, however, doesn't belong by himself.
What I find interesting, is that in some of the stories that are written in the first person, we aren't told the name of the characters--or aren't told the name until well into the story--although if you are familiar with Charles de Lint's stories, then you know who the character is. Not that it matters of course, because although the stories add to what we know about the characters, you can appreciate each story on its own, without knowing anything about the past history of the character(s).
If you're a Charles de Lint fan, this is another must have collection. If you aren't a Charles de Lint fan, what are you waiting for?
Rating: 8/10
Jack of Kinrowan (1995)
Jack of Kinrowan is actually two books: Jack the Giant Killer and Drink Down the Moon.
In Jack the Giant Killer, the Seelie Laird of Kinrowan's daughter has been stolen by the Unseelie Court, despite the fact that she was being escorted by the Gruagagh. And the Unseelie Court also has the Horn that controls the Hunt, so the Gruagagh--even if he were still trusted by the Laird's court--is trapped in his tower and unable to help, while no one else has the power to help. Except, maybe, a Jack.
I really like Jacky and Kate. I can understand Jacky's coming undone when her boyfriend walks out on her, and I really like how Kate sticks with her, even when she's not so sure that Jacky hasn't gone over the edge.
I also particularly liked the Hunt as they appeared in Jack the Giant Killer, as well as the way that Jacky deals with them. Maybe because for me it has echoes of Good Omens.
In Drink Down the Moon, Johnny Faw, after the death of his grandfather, goes out Vincent Massey Park to play "The King of the Fairies," which his grandfather made him promise to do. There he meets the Pook of Puxill, although he doesn't know who she is at the time. While the Pook has her own problems, because someone has been stealing the luck of the rade. For something is happening to the fiaina.
This book is very different from his short stories. Although the idea remains the same--that faerie is real, and coexists alongside our world--much of the story actually takes place in faerie, and the characters wander in and out of faerie at need and will. So there is a very different feel than in his short stories and books that take place in Newford, where the focus tends to be far more on the "real world" and "regular" people. Additionally, faerie characters are far more common in this book--pooks and hobs and boggles and trows.
As with all of Charles de Lint's books, the writing and storytelling are excellent. The second book seem a little different from the first book. Perhaps in pacing, perhaps because the focus of the second story is split between Jacky & Kate and Johnny and Henk. On the down side Henk seems a little flat to me, but it may have been that I wanted to get back about Jacky and Kate. And as always, there is a lot of music, with musicians and songs appearing throughout.
I must admit that love the cover of this book, despite the fact that there is no reason at all for the woman to be holding a sword. (I don't think there are any swords in this book.) But it's so gorgeous I just don't care. I'm not sure what it is that I like so much about Thomas Canty's fantasy covers, but I've seen very few that I haven't adored.
If you have not read Charles de Lint, this is an excellent first book to read, although you need to be aware that this is quite different from his short story collections. Just as good, but in a somehow different way. But underlying both is Charles de Lint's always excellent storytelling.
Rating: 9/10
Memory & Dream (1995)
Memory & Dream is not my favorite Charles de Lint book. Partially, because I keep forgetting that it's a novel and not a short story collection, so I pick up the book, start reading, and then think, "boy, this is a really long story." Then I remember that it's a novel, and I have to shift my expectations. It seems like a small thing, but it always throws me off, just at the point where I'm getting into the story.
Memory & Dream is set in Newford, so regular Newford characters like Jilly make appearances time and again, but the focus of the story is on Isabelle. There are two time-lines: The story begins in the present, 1993, and then jumps back 20 years to when Isabelle and Kathy and Alan were in college.
Isabelle is a painter and Kathy, her roommate, is a writer. They are all in college together, along with with Jilly Coppercorn and Sophie Etiole. Jilly makes several appearances at different times in the story. Sophie is just mentioned in passing several times.
Like the short story collections, and unlike Jack of Kinrowan, Memory & Dream has the darker themes of abuse and poverty, however, these themes are more subdued into the overall story of Alan's effort to publish a collection of Kathy's short stories, and to get Isabelle to illustrate them, and in the process we learn what drove Isabelle to radically change how she painted, as well as what happened to Kathy.
As with all his books, the storytelling is good, and the characters are interesting, but there's something about this book that's different from his other books, that just doesn't pull me in quite as deeply as his other stories. However, not my favorite Charles de Lint is still pretty excellent, and well worth reading. This just lacks a certain something that I can't quite put my finger on.
And strangely, I was reminded at one point of the book The Golden Key. The magic in the two stories is quite different, but the idea of a painter being able to create actual magic with their art... Of course now that I think about it, Lalo the Limner in Thieves' World had something similar, so perhaps the idea is more common than I thought.
If you have not before read Charles de Lint, this would be a fine place to start, however, as this is not one of my favorite of his books, so I would personally recommend Jack of Kinrowan or one of his short story collections to start with instead of Memory & Dream.
Rating: 7/10
Moonlight & Vines (1999)
The third (I believe) Charles de Lint short story collection, Moonlight & Vines returns again to Newford. Although it starts and ends with a Christie Riddell story, and there are plenty of appearances by the characters with whom we've become familiar, there are also new characters, some we'll meet again, and some who seem to appear only this once.
I am particularly fond of several of the stories in this collection. In "Saskia," Christie first meets Saskia, we learn a small piece of Geordie and Christie's past, and most importantly, we learn about the Wordwood. I love the Wordwood.
"In the Pines" is another favorite, because Darlene seems as if she'd stepped out of Southern West Virginia or anywhere in Appalachia, and I love the idea of a ghost with good intentions. I'm also inordinately fond of this bit: "I don't lead an exciting life, but I'm partial to a lack of excitement. Gets to a point where excitement's more trouble than it's worth..."
"If I Close My Eyes Forever" is a rather strange story that, for all I like it, seems somehow out of place in this collection. For all it's fantastic elements, has the tone of hard boiled detective novel, so it's a bit of a jolt, being so different from what comes before and after. Although I have to admit that perhaps the tone is a bit like "China Doll," another story I really like. Both of main characters who appear and then disappear.
I love the stories within the story of "Heartfires" and I love "Crow Girls," both the story and the characters. I love their trickster nature combined with the fact that they're something more.
But I love most how these stories make you stop and think. Even when he's talking about the horrors that exist in real life--the horrors that his characters confront--there' still hope.
There are also bits in this collection that remind me of other things I've read and seen. "The Invisibles" shared elements of a Buffy episode, and I was reminded of Neil Gaiman's Death in the story "Shining Nowhere but in the Dark." Just a odd feeling.
As always, the writing and characters are excellent. The only flaw is that at one point the discussion of the horror of the real world changes from an element of the story, to preaching. I understand that the cause is important, but it steps outside the flow of the story.
It was reading this collection that I came to the realization that most of his best characters are female. Not that I have a problem with a male writer writing female characters, it's just odd to find one who does it well so consistently. And in general he writes more about women. There's Geordie and Christie, and Jack Crow and a couple of other men, but the majorities of these stories have female characters. Strange that I never noticed that until now.
As with all of Charles de Lint's short story collections, you don't have to have read any of his previous works to understand and enjoy this book. Each story stands on its own, and the past history of the characters, like Jilly, adds more depth to the stories, but the stories are fully understandable without that history.
Rating: 8/10
Tapping the Dream Tree (2002)
Tapping the Dream Tree is the fourth collection of Charle de Lint's short stories based in Newford. It's also my favorite collection so far.
Several stories where Jilly makes an appearence, as well as several other favorite characters, and several new characters, or characters who made a brief appearences in other stories, and return in Tapping the Dream Tree with their own stories.
The opening story, "Ten for the Devil" is one of these. We met Staley in passing in Moonlight and Vines, in the story "Seven for a Secret." In "Ten for the Devil," Staley accidentally calls up some unsavory characters with her spirit fiddle, and needs assistance in putting things right. I really like Staley, and I love the idea of the character Robert Lonnie. The insinuation of who he was and what he was doing, may be my favorite part of a what is a very good story.
In fact, there are very few stories in this collection that I don't love: "Granny Weather," "Big City Littles," "The Buffalo Man," "Pixel Pixes," "The Words that Remain," "Embracing the Mystery," "Forest of Stone," "Second Chance"--all of them were excellent.
In "The Buffalo Man," we get to visit with Meran and Cerin, who have been missing from the last two volumes. "Pixel Pixies" is a very interesting idea, that pixies have gotten into the Internet. I know that sometimes I'm convinced that sometimes my computer knows precisely the wrong time to crash, taking out hours of work. "Granny Weather" is another story of Sophie Etiole's serial dreaming, and she must visit Granny Weather, who advised her when she rescued the moon.
"The Witching Hour" is an interesting story that gives us another hint into the past of Geordie and Christie. It's a horror story, but it's more dark than scary.
I particularly like "Sign Here." It's very different from the other stories in the collection; it's completely dialog. No descriptors or anything else. Additionally, I find the story very amusing.
I also liked the further development of the Wordwood. Made me want to go and read Spirits in the Wires next. Except that The Onion Girl comes next chronologically, so if I don't got back further, The Onion Girl is next for me to read.
This is an excellent collection. All my favorite characters are here, and the writing and and storytelling are fantastic as usual. If you have not read any Charles de Lint before, this would be an excellent book to start.
Rating: 10/10
The Onion Girl (2001)
Although published before Tapping the Dream Tree, this story occurs after those short stories, so to avoud confusion, you may want to read Tapping the Dream Tree before reading The Onion Girl.
First things first, this is an excellent book. It's the Jilly book that you always wanted, getting inside her head and learning why she's the way she is. However, I have to admit that this is one Charles de Lint book that I just don't like to read. Every time I read this book, I find myself (mentally) yelling at Charles de Lint, "Haven't you done ENOUGH to Jilly ALREADY?! Stop doing bad things to her already!"
The book starts with Jilly getting hit by a car. So you know things aren't going to be good, since Charles de Lint is not one for miracles and happy endings.
The time frame switches between the present and the past, and the point of view switches between Jilly, a girl named Raylene, and Joe Crazy Dog. I won't say anything about Raylene, because there isn't much I can say without giving that part of the story away. So, you'll just have to read it and figure everything out for yourself. I liked the bits with Joe Crazy Dog, because I think he's a fascinating character, and I like reading about it, and picking up hints about his past.
As for Jilly, it's hard to see her banged up and in pain and not her usual exuberant self. I mean, from the start here characters has always been covered in paint and flitting from one thing to the next, so it's just wrong to see her in a hospital bed.
As with all Charles de Lint books, the writing and storytelling are excellent. My only problem is that although this story is very good, I just don't like reading about Jilly being so unhappy. I suppose it's because he's given her such an awful past, that you think she deserves a happy future, even though in real like things don't work out that way.
If you are a Charles de Lint fan, then this book is a must read. If you haven't read Charles de Lint before, then this book might be easier to read, because you aren't already really attached to Jilly, and mad that he's being so mean to her. But that could just be me. Regardless, this is a must read. It's just not a must read often.
Rating: 8/10
Waifs and Strays (2002)
Charles de Lint's latest short story collection is not as much for young adults as it is about young adults. As I recognized several titles in this collection from other collections, I hadn't been in a hurry to get this collection. That was my mistake. Only the last stories in the book are set in Newford, the rest of the stories in the book were all ones I had not read before.
I love Charles de Lint's stories, and I typically snatch up his books as soon as I see them. I have, however, hesitated for several of his recent books, which are re-releases of horror books he wrote under the name Samuel M Key. As I really don't care for horror, I've been wary of picking up anything of his recently, for fear of getting a horror book. I'm beginning to wonder whether that too was a mistake.
I particularly liked "There's No Such Thing", and "Sisters", two stories with the same characters that were quite different from his other stories that I have read, in that normally he doesn't deal write about things like vampires (In the introduction to Sisters he says that although he takes some pokes at Buffy, he's been a fan since he first saw it.) I very much liked "Fairy Dust", but liked "The Graceless Child" even better.
There were two stories from the Bordertown anthologies, "Stick" and "May This Be Your Last Sorrow". I hadn't heard of the Bordertown stories, which is my loss, because Charles de Lint's stories reminded me of a cross between Newfound and Thieves' World. But I put them on my wish list, just in case.
The Newford stories I already had in other collections, and although they are about young adults, they were not necessarily some of my favorite Newford stories. The two Maisie Flood stories, "But for the Grace Go I", and "Waifs and Stays", I do like, but "Ghosts of Wind and Shadow" is not one of my favorite stories. I just found it hard to feel sympathy for Lesli.
If you have not read anything by Charles de Lint before, I would recommend this as a good starting place. It gives you a good sample of his excellent writing, and gives you as introduction to Newford, the place where most of my favorite tales are set.
Spirits in the Wires (2003)
Spirits in the Wires is the story of the Wordwood, the literary Internet site set up by Holly and others that has taken on a life of its own. Saskia Madding is an independent being, created by the Wordwood, and sent out into the World As We Know It, where she has fallen in love with Christy Riddle, and he with her. All of this is past history as we start Spirits in the Wires.
In Spirits in the Wires, Saskia meets up with Christiana Tree, Christy Riddle's shadow, who is, although a resident of the Borderlands, a frequent visitor to the World As We Know It, and in sometimes contact with Christie.
Because the Wordwood has taken on a life of its own, and taken up residence in the Borderlands, its fall is a threat not just to those involved with the site, but to the Borderlands as well.
One of my favorite parts of Spirits in the Wires is the passage describing the healthy Wordwood.
"The grass and wildflowers are narrow phrases, swaying in the wind, punctuated with blossoms whose wordy petals radiate from clusters of vowels. The trees are thick paragraphs, dense with description, that lighten into shorter sentences and finally simply words as they follow the natural progression of trunk to branch to twig to leaf. Small verbs and nouns scamper along the branches, trilling sweet wordsongs, or soar by on wings of poetry."
Woods and a library combined. What more could one want?
I'm also very fond of Christiana's thoughts on changing:
But I don't want to change. I don't want to be someone else. Truth is, the idea of it kind of scares me. I remember, growing up, how I'd hear other people wishing they were someone else--and I still overhear that in conversations--but I've only ever wanted to be me. Me, with all my faults and scraped knees and bruised heart and all. I know I've done some dumb things, and into more trouble than I should have, but those mistakes and escapades helped shape sho I am.
Although most of the characters exist in previous stories and books, this book should easily be able to stand on its own, for someone who knows nothing about Newford of any of its population, more so I think than The Onion Girl.
Now that I've read two de Lint's in a short period of time, I desperately want to go back and reread the rest of his books, especially his short story collections. I want to go back and read the first story in which Jilly appears. I want to read about Mabon, Sophie Etiole's domain. I want to read about the Borderlands and the Hob that lives in the bookstore.
I want Charles de Lint to write more books about Newford.
And soon.
The Blue Girl (2004)
I love Charles de Lint. There is nothing he has written that I have read that I have not liked, and most of what he writes I absolutely love. Yet for some reason I was hesitant to read this book. Probably because the main characters are high school students. As usual, as soon as I started the book I wondered what I had been worried about, because as always, Charles de Lint has written an excellent book.
Imogene's family has moved to Newford, and she decides to take advantage of the move to a place where no one knows her, to change herself, and to stay out of trouble. On the first day of school she makes friends with Maxine, a girl outcast from her peers for being smart, and that friendship immediately puts her on the outs with the popular kids.
And she meets Ghost. A boy who died at school under mysterious circumstances--was it murder or suicide or accident.
As always, Charles de Lint does an excellent job of showing the internal lives of his teenage characters, which moves them from the annoying, angst-ridden creatures that other authors create, to people that I can remember being as a teen.
The bullying was pretty rough in this book, and brought back some unpleasant memories, although it made me realize how lucky I was that the bullying I dealt with as a teenager was never physical. (Although I hardly felt luck at the time.)
But the bullying is not the focus of the story, just a bit that added to the realism of his description of high school. The focus is instead on the fact that Newford, is closer to faerie than other places in the real world. Several of the characters who lives in Newford are mentioned, and some make brief appearances, but for the most part the book is about Imogene and Maxine and Ghost.
I really like Imogene. She's smart and resourceful, but Charles de Lint also shows that whatever the image she projects, she has doubts and fears. She worries that her past will horrify Maxine and ruin our friendship. This is, at least for those of us willing to admit it, a common fear--that if people find out what we're really like, they will be so disgusted they will no longer love us. She's very real, and very likable.
The Blue Girl has teenage characters, and is listed as a young adult book, but like Waifs and Strays is completely accessible to anyone who remembers what it was like to be a teenager. So if you like Charles de Lint's writing, this is a book you don't want to miss. If you've never read one of his books before, this would be a fine place to start.
Rating: 8/10
Widdershins (2006)
Widdershins is the latest book by Charles de Lint, and I debated for about a month as to whether I wanted to buy it in hardback or wait for it to come out in paperback. First there was the fact that I own Spirits in the Wires and Tapping the Dream Tree in hardback. But the biggest deciding factor was knowing that this book was about Jilly and Geordie.
Although Jilly's story was resolved at the end of The Onion Girl, things weren't really that great, and I was really hoping that things would get better for her.
Although this book is ostensibly about Jilly and Geordie, the greater part of the story--and the most difficult part of the story--was about Jilly. Jilly is still not fully recovered from her accident, and is told that she may not fully recover until she finally deals with her past, and the abuse she suffered.
Geordie already has, to a great degree, dealt with his past. He and Christie have attempted to deal with their past, and to maintain a relationship and friendship that neither thought they could ever have. However, he must also deal with the fact that all of his past relationships have failed.
Meanwhile, tensions are brewing between the spirits who are native to the land, and the faerie who came over from Europe. Certain groups are bidding for power, while others are seeking revenge, and the fiddler Lizzie and her band are accidentally caught up in the hostilities.
As usual, this was a story that sucked me in almost immediately, and I hard a hard time putting it down. Of course I feel that way about all of Charles de Lint's writing, but this book was no exception.
I was trying to decide whether you could read this book without having read and previous Newford stories, and decided that although you probably could, it most likely wouldn't mean as much--especially the bits about Jilly. She's been through so much, that you can't help but cheer her on, and I'm not sure how much of that you'd feel if this was your first introduction to her. So although most Charles de Lint books can stand on their own, I'm not sure that I would recommend this without reading at least The Onion Girl.
Very strangely, the end of this book felt almost like a conclusion to the Newford stories. Several loose ends were tied up by the end of the book, which was surprising. I'm not saying that all Charles de Lint stories are depressing, but they typically have a dark (sometimes very dark) thread running through them, and there is typically not the happy ending you would expect. This story is dark--after all, we're dealing with Jilly's past, but the overall feel of the book was not as dark as many earlier books.
All in all, what I liked best about Widdershins was the resolution of some story arcs, and the fact that we get to see Jilly deal with some of her issues that were unresolved.
Plus, the Crow Girls.
If you have not read any other books by Charles de Lint, I recommend starting with one of his anthologies, and then coming back and reading this after you've gotten to know Newford and it's characters better. I think you'll enjoy the story better that way.
Rating:8/10
Books by Charles de Lint:
Wolf Moon (1988), The Harp of the Gray Rose, The Dreaming Place (1990), The Little Country (1991), Dreams Underfoot (1993), Into the Green (1993), Memory & Dream (1994), The Ivory and the Horn (1995), Moonlight & Vines (1999), Jack of Kinrowan (1999), Tapping the Dream Tree (2002), The Onion Girl (2002), Waifs and Strays (2002), Spirits in the Wires (2003), The Blue Girl (2004), Widdershins (2006)
NOTE: Jack of Kinrowan is a combined re-release of Jack, the Giant Killer and Drink Down the Moon.
Kids Books: A Circle of Cats (2003)
